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Nadia Beugré "Burning Girls"
A screw you to outdated and patriarchal society!
The burning girls of West Africa storm Ikebukuro with their dough and dance of resistance!
Nadia Beugré, a choreographer from Ivory Coast, creates provocative works that reexamine the boundaries between society, the body, and gender.
Nadia’s hometown of Abidjan achieved rapid economic growth, becoming known as the “Ivorian Miracle” and one of Africa’s leading economic hubs. This performance piece features Aya and Christelle—who live in Abobo, an impoverished neighborhood within the city—making use of dough that takes on various forms. Drawing from their real-life experiences, they present a powerful, vibrant, and fiercely resolute resistance to the social oppression that persists in their community and around the world, including patriarchy and the norms imposed on women’s bodies.
These “burning girls” of present-day Abobo deliver a refreshingly bold performance, using objects and their own bodies to challenge dance forms traditionally associated with gang culture and displays of masculine physicality. The work stands as a gift to the girls in Japan who live each day with resistance in their hearts.
Autumn Meteorite Tokyo features this production as one of a series of object theater works following last year’s festival.
Overview
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© Bea Borgers - Nadia Beugré
Born in Ivory Coast, Nadia Beugré made her first appearance in 1995 as a member of the Dante Theatre. Two years later, she became a founding member of Béatrice Kombé’s ground-breaking, all-female dance ensemble, TchéTché, with whom she toured for years to critical acclaim across Africa, Europe, and North America.
Through Beatrice Kombé, an immensely free woman, Nadia Beugré understands that the stage is a ring where anything can happen…
After Kombé’s death, she follows a training at Germaine Acogny’s Ecole des Sables in Senegal, and then joined in 2009 ex.e.r.ce., Mathilde Monnier’s programme for talented, up-and-coming choreographers at the Centre Chorégraphique National de Montpellier.
She was soon staging productions of her own, including the still-touring solo Quartiers libres (‘Free rein’) in 2012. Followed Legacy premiered at the La Bâtie Festival in Geneva in 2015 and also performed at the Festival d’Automne in Paris, Tapis Rouge (2017), and Roukasskass Club (2019). L’Homme rare, an all-male quintet performance, was premiered at the Montpellier Dance Festival in 2020. In 2023, the duet Filles-Pétroles and Prophétique (on est déjà né.es) with artists from the trans community, both created in Abidjan, bear witness to an Ivorian youth in fire… Her latest piece, Epique ! pour Yikakou is a journey towards the village of her father…
In Nadia Beugré’s journey, there is also another crucial encounter: Alain Buffard, with whom she performed Mauvais genre and Baron Samedi. “He pushed me to understand why I was relentlessly questioning the body, the sexuality, the gender. He was a gentle and generous man, an extraordinary listener, but he also shared his dark spaces with us. In the same way, I question this dark side in me, the darkness in the light that makes us so complex beings.”
For a decade, Nadia Beugre’s pieces have been developing a very singular journey around margins, exclusion, what is outside, abnormal, a journey through shifting identities, be they social, cultural, or gender-based…
Beugré also performs in works by fellow choreographers, such as Seydou Boro, Dorothée Munyaneza, Bernardo Montet, Rémy Héritier, Boris Charmatz, and in 2022 Robyn Orlin.
She was awarded in 2023 the SACD Prize New Choreographic Talent and was associate artist to ICI CCN de Montpellier (2023-2024).
With Virginie Dupray, Nadia Beugré has founded in 2020 her own dance company in Montpellier, Libr’Arts, a platform for production, touring, but also training, developing actions and programmes between France and Ivory Coast.
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Libr’Arts
Founded in Montpellier in December 2020 by Nadia Beugré, Libr’Arts proposes spaces for reflection, creation, sharing, and experimentation, wandering between Montpellier, Abidjan, and the rest of the world!
Libr’Arts combines a strong local base with an international influence.
The local anchoring is based on solid partnerships with various organizations, as well as conversations with local artists and local audiences. Lasting companionships include in Montpellier ICI-CCN de Montpellier-Occitanie, the Montpellier Danse festival, the MM Association, the Halle Tropisme, as well as in the Occitanie region, the Théâtre de Nîmes, the Théâtre Molière in Sète, La Place de la danse, Le Parvis, and the Théâtre Garonne in Toulouse…
Libr’Arts’ international dimension relies on Nadia Beugré’s worldwide recognition in Europe of course, but also in the United States, Canada, and Brazil. Libr’Arts has also developed strong ties with the African continent, in Mali, Burkina Faso, Togo, Tanzania, and of course Ivory Coast, with a relay association, Libr’Arts Côte d’Ivoire, that have been implementing since 2022 training and mentoring programmes for women and gender minorities. In order to create local sustainable ecosystems, training programme are covering not only the artistic skills, but also the technical and administrative knowledge.
Working on the production and dissemination of Nadia Beugré’s work, the company accompanies 4 associate artists, paying a particular attention to artists from the African continent.
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[All seats non-reserved (with numbered entry / Tax included)]
Adult JPY 5,000
U29s JPY 3,000
U18s JPY 1,000
Discount for Persons with Disabilities 10% discount from adult prices
*Children below school age will not be admitted.
* Tickets with age-based discounts are available in advance only through the Tokyo Metropolitan Theatre Box Office (limited quantities available; valid ID required on the day of the performance).
* We cannot provide a refund for the difference if you are eligible for an age discount but you purchase a general admission ticket. In addition, if you purchase a discounted ticket that you are not eligible for, then you will be asked to pay the difference at the reception counter on the day of the performance.
* Visitors with a Disability Certificate or Mirairo ID can get tickets at a discounted price. Please check with the box office or the official website and check “Hello and Welcome (Attendee Support) (https://autumnmeteorite.jp/en/2026/hello_and_welcome).
* Please contact the Box Office (0570-010-296) before purchasing a ticket if you are a wheelchair user as there is limited space within our venue.
* A hearing loop (magnetic loop) is available for some audience seats in this performance.
* Performance information and other details may be subject to change due to unavoidable circumstances.
* The reserving, buying or reselling of tickets for commercial purposes is strictly prohibited.
* We do not accept cancellations or changes once tickets have been purchased. This excludes where a performance is cancelled.
* Please be sure to check for the latest information on the official website before attending.
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Artistic Direction: Nadia Beugré
Assistant: Christian Romain Kossa
Performance: Anoura Aya Larissa Labarest, Christelle Ehoué
Light Design, Scenography and Light Management: Beatriz Kaysel
Music: Yoan Richard, Fally Ipupa, Roma Chiyaya
Executive Production: Virginie Dupray (Libr’Arts)
Executive Production Assistant: Louise MutabaziCoproduction:
La Briqueterie CDCN-du-Val-de-Marne
Le Théâtre de Rungis
CCN2 Centre Chorégraphique National de Grenoble
Théâtre Molière de Sète – Scène nationale Archipel de Thau (Accueil studio)
ICI CCN de Montpellier Occitanie, Direction: Christian Rizzo, in the framework of the associated-artist residency of Nadia Beugré in 2023 and 2024
Goethe-Institut (in the framework of the A(RT)VENIR Fund)With Support From
DRAC Occitanie – Ministère de la Culture et de la CommunicationThanks
Ivoire Marionnettes Abidjan, Institut français de Côte d’Ivoire
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Tokyo Metropolitan Theatre Box Office
0570-010-296 (10:00 to 19:00 excluding days when it is closed)
- Information
- Coproduction
- La Briqueterie CDCN-du-Val-de-Marne
- Le Théâtre de Rungis
- CCN2 Centre Chorégraphique National de Grenoble
- Théâtre Molière de Sète – Scène nationale Archipel de Thau (Accueil studio)
- ICI CCN de Montpellier Occitanie (Direction: Christian Rizzo, in the framework of the associated-artist residency of Nadia Beugré in 2023 and 2024)
- Goethe-Institut (in the framework of the A(RT)VENIR Fund)
- With Support From
- La DRAC Occitanie – Ministère de la Culture et de la Communication
- Thanks
- Ivoire Marionnettes Abidjan, Institut français de Côte d'Ivoire